65 movie review: Adam Driver's sci-fi thriller both salutes and subverts the idea of heroism and hope
Writers and directors Scott Beck and Bryan Woods present a story about survival, and design it with style with their new film 65.


A still from 65[/caption]Cinematographer Salvatore Totino shoots the film meticulously with his lenses and at places, 65 bursts with imagination. There are minimal dialogues because it’s more important for Mills and Koa to escape than to sit and chatter. They do, in spurts. At one moment, tired and exhausted of finding means to escape, Mills says ‘I’m just tired,’ and Koa repeats those words. The moment may be amusing since she has the tendency to repeat verbatim what he says; but what if she’s tired too? What if she too wishes to escape from this unknown territory?And that’s precisely why Beck and Woods’ writing works even when the film relies more on camerawork and visual effects. Adam Driver, for all his machismo, is a man of vulnerability. The character not only salutes but also subverts the idea of heroism. Here’s a hero that has the balls to be thrown into the deepest end but also who can feel panic and fear. And that’s precisely what Mills does.65 may not be as refined or ravishing as the other survival thrillers or sci-fi adventures, but if you’re tired of mush and masculinity, this may be a slightly different experience.65 is now playing in cinemasRating: 3 (out of 5 stars)
Working as an Entertainment journalist for over five years, covering stories, reporting, and interviewing various film personalities of the film industry

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